Slate fails at the fixings, not the slate
A good slate roof is the longest-lived pitched covering there is. Slate laid in the Victorian period is often still sound today; what fails is everything holding it on. Nails fatigue, battens soften, and slates begin to slip one at a time until every winter costs another call-out.
The older streets across Leeds were widely roofed in natural slate, and many stone-built properties carry Yorkshire stone slate, thick sandstone flags laid in courses that shrink as they climb to the ridge. Both can usually be saved. Sound slates come off carefully, get sorted and re-holed, and go back on new battens with new fixings, made up with matching reclaimed stock where the count falls short.
Our approach
Slating is a trade of margins. The headlap, the amount each slate covers the one two courses below it, is what actually keeps the water out, and it has to increase as the pitch drops and the exposure rises. We set the lap and gauge for the roof in front of us. Every slate is fixed with two nails, and every slate is checked by ring before it goes on: a clean note means sound, a dull one means the skip.
On stone slate roofs we grade by size, laying the heaviest flags at the eaves and working up in diminishing courses to the smallest at the ridge, the way these roofs were always built. It is slower than uniform slating, and it is the only correct way to do it.
Heritage and conservation work
Older buildings, churches among them, need a covering that matches what came off: same stone, same coursing, same weathered face to the street. We source reclaimed Yorkshire stone slate and sort it for thickness and colour so the finished roof reads as original rather than repaired.
Where a building is listed, altering the roof covering usually needs consent, and conservation officers generally expect like-for-like. We work to that expectation as standard, and we will tell you plainly when a cheaper substitute would harm the building rather than help it.